1.Always carry your camera with you
I always carry a camera with me. A great street picture you can ﬁnd anywhere, then we always have a camera with us. The technology comes to us with cameras more compactand transportable. No matter that it's a mirrorless, an old 35mm or an iphone. It will be obvious to say but the best camera is the one that uses more.
2.Be ready with your camera
The instances don't repeat themselves in street photography. Be ready to shoot is a commandment in our genre. So our camera settings should be ready in a few seconds tocapture every situation: zone focus, hyperfocal, program can be effective solutions. If ourcamera is slow to start we can consider to keep it turned on: mandatory in this case atleast one spare battery. Also a wrist strap is an ideal solution to be ready to shoot.
3.Use a inconspicuous camera bag
It is a matter of personal safety, but also not to draw attention to us. I have chosen ThinkTank Photo and in particular the series Retrospective. I think it is the perfect choice for street photographers.
4.Choose a real interesting subject
Sometimes we can see great compositions but the subjects are not so strong. For example it is not enough, in my opinion, a photo in an arcade with light and shade without subjects interesting.We must strive to ﬁnd characters or special postures, really interesting situations.
5.Wide angle prime lens
Street Photography is not a safari. So forget those zoom lenses. We must be in the sceneand a telephoto lens does not allow it. And then you will look even more conspicuous inpublic holding a huge zoom lens.If you still have doubts, ask yourself why all the great reportage photographers were usingor use normal or wide angle lenses.
"If your photographs aren't good enough, you're not close enough." Robert CapaUsing a wide-angle prime lens (as mentioned in the before point), you will be forced to getclose to your subjects. Street Photography is mental, emotional and physical involvementof the photographer.We can not think of doing good street photography if we remain distant.
As said Blake Andrews in the interview published in this blog: If you walk around thinkingyou're not going to see anything, it'll become a self fulﬁlling prophecy. You won't seeanything. But if you walk around with the expectation that a photo can be anywhere, thatone will pop up around the next corner, you will see things. The environment is exactly thesame in both cases. It's the mental outlook that matters. Every single time I go outshooting I see the potential for at least one world-class photo. They are always out there.But being in the right mental state to capture them is sometimes difﬁcult, especiallybecause street photography can involves long periods where not much happens. Sodeveloping that faith and keeping it with you at all times is important. The world will provideif you trust it to.And don't forget to smile! With a smile, people usually respond with a smile!
8.Interesting situations, more than one single shot!
When the situation and the subject are interesting when you can make more shots.
9.Keen observer of the street life
To be a street photographer is be extremely attentive to the frenetic activity in publicspaces. The situations change sharply even in the same place. While walking down the street you will come across a variety of events,acts, postures, gestures, scenes,expressions, subjects, etc.There is a multitude of possibilities in the street for the photographer but we must be alert. Remember that photography is above all to observe.Street Photography is capturing the activities happening by the roadside, street concerts,trafﬁc signals, billboards, hoardings, fences, trees, birds, cats, dogs, similarities andassociations, the vertiginous heels of a woman, a man smoking a cigar while waiting forthe tram. To quote Bruce Gilden if it smells of the street is street photography.
Respect of the subject should be the basis of our pictures. If you really want to represent some physical defect, worry that the subject is not recognizable. And remember that only if we photograph with respect will we do good photos.
(From Street Photography - an ebook by Alex Coghe)